Corinne Day British, 1962-2010
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Corinne DayKate Moss (National Portrait Gallery commission), 2006Archival pigment print133 x 115 cm (52 1/4 x 45 1/4 in.)Edition 5 of 10 + 2 H/C’s
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Corinne DayKate with Coconuts Borneo, 1991Archival pigment print70 x 50 cm (27 9/16 x 19 11/16 in.)
Edition 3 of 10 + 2 H/C’s -
Corinne DayTania colouring her hair, 1995Archival pigment printAvailable in two sizes:
40 x 60 cm (15 3/4 x 23 5/8 in.)
Edition 4 of 7 + 2 H/C’s
100 x 150 cm (39 3/8 x 59 1/16 in.)
Edition 1 of 3 + 1 H/C’s -
Corinne DayJesus is a cunt, 2001Archival pigment print57 x 70 cm (22 7/16 x 27 9/16 in.)
Edition 1 of 10 + 2 H/C’s -
Corinne DayKate in baggy jumper, 1991Archival pigment print70 x 57 cm (27 9/16 x 22 7/16 in.)Edition 1 of 10 + 2 H/C’s
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Corinne DayBen Grimes backstage at the Lido Paris, 2003Archival pigment printAvailable in two sizes:
57 x 70 cm (22 7/16 x 27 9/16 in.)
Edition 1 of 10 + 2 H/C’s
122,14 x 150 (48 3/32 x 59 1/16 in.)
Edition 1 of 3 + 1 H/C’s -
Corinne DayKate in black dress, 1993Archival pigment print70 x 57 cm (27 9/16 x 22 7/16 in.)Edition 1 of 10 + 2 H/C’s
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Corinne DayRose & George on the sofa, 1993Archival pigment print55 x 70 cm (21 21/32 x 27 9/16 in.)Edition 1 of 10 + 2 H/C’s
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Corinne DayLift your skinny fists, 1991Archival pigment print70 x 55 cm (27 9/16 x 21 21/32 in.)Edition 1 of 10 + 2 H/C’s
Corinne Day (Feb 19 1962 - Aug 28 2010) was a British photographer whose influence on the style and perception of photography in the early 1990's and onwards has been immense.
Corinne Day’s pictures are often as unembellished and authentic as snapshots. Always, they have a fragile, un-styled, poetic beauty that she has made all her own.” - Kate Bush
Corinne Day (February 19,1962 – August 28, 2010) was a British photographer whose influence on photography from the early 1990s onwards was profound. A self-taught artist, Day brought a natural documentary style to her fashion imagery, often blending autobiographical elements into her work. She developed relationships with many of her muses, musicians and the peer group she documented, resulting in candid and intimate portraits that captured the essence of that era.
Day’s first major published work, featuring the young Kate Moss for The Face magazine in 1990, helped define the ‘grunge’ aesthetic that became an international style. Her raw, documentary approach later sparked controversial accusations of promoting ‘heroin chic’ and driving Day to step away from working in the mainstream commercial industry, shifting her focus to personal artistic projects.
Corinne Day’s work has been exhibited at the National Portrait Gallery, Victoria & Albert Museum, Tate Modern, Saatchi Gallery, The Science Museum, The Design Museum, The Photographers' Gallery, Gimpel Fils Gallery and was also included in The Andy Warhol exhibition at the Whitney Museum, New York.
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picture perfect
Sunday Times Magazine , September 26, 2010 -
The Define Yourself Issue
i-D, September 4, 2010 -
when fashion got real
LESLEY DOWNER, The Wall Street Journal, November 24, 2000 -
i'm a photography junkie
Sheryl Garratt, The Observer Review, September 3, 2000
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What Katy did
Robin Muir, The Independent, February 22, 1997 -
Heroin chic? Just say no
The Face, May 4, 1995 -
Corinne's new day
Richard Pandiscio, Interview, January 10, 1993 -
The secrets of eternal Yoof
Geraldine Bedell, The Independnent, March 3, 1991